Catelyn Winona is Writing

 The Hero and Hope

Nobody at the orphanage knows. The mark sets during the worst winter in three decades, when the windows have to be barred to prevent snow spirits from ripping them to shreds and the Director takes half the reserves and runs in the middle of the night.

Sarah, the only caregiver left in the rickety building, holds as many of the kids as she can while the snow spirits scream outside. You’d love to be in the circle of her arms, but you’re holding the door shut with as much strength as your eight-year-old arms allow.

She doesn’t tell you to get away from the door.

“It’s alright,” she says, voice trembling. Her brown hair, matted from the months indoors, hides her eyes. She croons to the younger kids like a bird, so softly and gently that you have to strain to hear it over the howling demons and roaring winds. “We’ll be okay. Our land’s Lord will send a Hero, you’ll see. We’ll be okay then.”

Your arms burn as intensely as your eyes. A Hero. Your stomach aches from hunger and your fingers sting from the cold. You aren’t sure how much good you’re doing keeping the door closed, but there’s something deep inside of you that tells you you must do something. The blows from the snow spirits outside vibrate up your arms, nearly throwing you back.

Heroes, you think, only matter if they show up.

Hope is traumatic. Eight-years-old and you’ve been returned from potential families twice. Three days ago, you found the beginnings of greenery in the woods behind the orphanage. When you excitedly raced back to tell the others that winter was ending, it was only to find the Director and most of the caregivers gone with a significant portion of the rations.

Then the storm clouds rolled in.

So that long, dangerous night, you don’t hope. You shut your ears to Sarah’s gentle comforts and the snow spirits’ shrieks. You focus on the burning in your arms, the blisters forming on your heels, the cold nipping at your fingers.

Hope is traumatic but trying is something you can do. You put your small body between all of the horrors outside the door and the other kids. You try to stand firm.

You don’t notice when the burning in your arms hides the arrival of a telling mark on your left bicep.

———————.

You are fourteen years old, one year shy of coming into your power, when a couple visits the orphanage intending to adopt.

Sarah is now the Director of the orphanage, awarded the position by the land’s Lord after that terrible winter six years ago. She’s different than she was then. You lost three kids to hunger before spring finally came and she held each one in their last moments.

You and Sarah never develop the close relationship she has with the other kids. But she always makes sure you have more meat in your meals than most and, when you hunt in the woods, you always let her decide how the food will be divided between dinner and winter stores.

“We’re Knights,” the potential adopters tell the Director. They’re a couple, a man and a woman with dark hair and muscular bodies. “Retired. We’re settling just north of here for good and are looking for a suitable child who can follow in our footsteps.”

Director Sarah looks at them coldly, leaning back in her chair and folding her hands over her stomach. If she notices you and two of the younger kids peeking through the crack in the door, she doesn’t say anything. “I apologize, Mr. and Mrs. Bahr, but it seems there’s a misunderstanding. We do not pair children with families based on their Destiny.”

“We’re not saying you do,” Mrs. Bahr says. Her gaze is cutting though her shoulders are relaxed. “Our Lord explained before we came. However, there is no rule against asking the children their Destiny, is there?”

Loophole. You pull away from the crack in the door, letting Hera and Josiah take your spot. You lean against the wall with your eyes closed. Orphanages aren’t allowed to disclose Destinies, but that’s where the protection ends. If someone sees a child’s Destiny or learns of it through some other means, that’s alright.

These people aren’t here to adopt because they want a child. They’re here to adopt for a guarantee. A guarantee of what remains to be seen. An heir like they claim? A prodigy for status? Or a weapon for them to control?

You listen for any other clues behind their motives, but the Bahrs don’t push the issue of Destiny again. They accept Director Sarah’s schedule for meeting the kids, even offering to host a picnic day at their estate as a treat. The couple wants to gain trust, you can tell, and by the end of the meeting it’s working.

Director Sarah sees them off to the door herself.

“We’ll wait for the invitation,” she says. She’s older now, her thin brown hair showing the beginning signs of going grey. But her handshake looks strong when she shakes Mrs. Bahr’s in farewell. “I’m sure the children will be thrilled.”

“I hope so,” Mrs. Bahr says. Her husband nods to the Director gravely, but Mrs. Bahr lingers. “I’m sorry if we came off a little…forward when we mentioned Destinies. Please believe me when I say that my husband and I aren’t so shallow. We are looking for a child – one we can call our own.”

“I see,” Director Sarah says. There’s a hint of warmth in her voice. “As I said, we look forward to your invitation.”

Mrs. Bahr nods and joins her husband in their carriage. They set off down the road without once having asked to meet one of the children on the first day of their introduction.

You can tell Sarah likes them.

“What do you think?” Sarah asks. She doesn’t turn from the road, even though the Bahr’s carriage is out of sight. “Isla?”

You don’t ask how she knows it’s you lurking in the shadows of the orphanage. Director Sarah is a Guardian. Her senses are elevated when it comes to those under her charge.

“I don’t think anything,” you say. You step out from around the corner with a sigh. No use hiding now. “They’re influential people if they were recommended here by the Lord himself. We’re fortunate.”

“You’re the right age for a Knight’s apprenticeship,” Sarah says.

“Hera hasn’t shown me her Destiny, but it’s probably something suitable,” you say. Hera is ten, one of the older kids at the orphanage. Last summer she lifted Josiah, only a year younger than her and already a head taller, out of the well before he could drown. “You should talk to her about what being part of a Knight family could mean.”

Sarah looks at you over her shoulder. The setting sun catches in her eyes, turning the warm brown into an unearthly amber. “I hope you can accept the possibility they might choose you.”

They won’t. “Aren’t I needed here?” you ask.

Sarah’s expression softens. “You are, Isla,” she says. She weighs her next words carefully. “But I am the one who’s responsible for all of you. I can take care of everyone. If the Bahr family is a good fit…”

“Sure,” you say flippantly. You shove your hands in your pockets and slink back into the orphanage. You don’t dare hope. “I’m going to help Josiah.” He’s on dinner duty tonight. He always cuts the onions too roughly. “See you later.”

You feel Sarah’s eyes on your back like a physical warmth.

———–.

Being a Hero doesn’t change anything about you. You expected it to when you first noticed the mark but, even six years later, nothing’s different.

You aren’t kinder. When Josiah asks for your dessert, you steal a bit of his as punishment for even asking. When Hera asks for a bedtime story, you tell her one so scary that she has to sleep with one of the other girls. When Sarah asks you to fix the fence around the chickens, you whine and complain that you’re the only one who does anything around the orphanage.

“The curse of being the oldest,” Sarah says dryly. She hands you a hammer and a bucketful of nails. “Some posts were dropped off at the end of the lane. Make sure you’re back by sunset.”

Maybe you’re a little stronger than others. You can drag three posts at once and could probably drag more if you wanted. But another curse of being a Hero is that you’re very aware.

It’s not until you’re nailing a third rail to the fence that Mr. Bahr makes his presence known. You don’t turn even when he makes his steps purposefully heavy to avoid scaring you.

“You’re very strong,” Mr. Bahr says.

His shadow is long and thin, just like him. You observe it from your peripherals, unable to speak with the two nails you’re holding between your lips. You take your time pounding them into the wood. He’s arms, a sword at his hip, but his hands are loose at his sides.

“Good thing I am,” you say at last. You stand and turn in the same motion. He waited for you to finish without chastising you for not speaking right away. You perch the hammer on your shoulder. “Otherwise, the chickens would take over.”

Mr. Bahr laughs. Unlike when he was meeting Director Sarah, his face is relaxed and open. His blue eyes sparkle. “We couldn’t have that now, could we? I suppose we all owe you our thanks for preventing the coop’s coup.”

You want to laugh. You don’t. “Director Sarah won’t like you being here uninvited.”

“I just came to drop off an invitation,” Mr. Bahr says. He studies you for a moment and then smiles. “I hope you’ll accept, Isla.”

A chill races down your spine. How does he know your name? You wipe the sweat from your brow with a scowl. “Maybe I don’t want to be adopted.”

To your surprise, Mr. Bahr nods. “I can understand that,” he says. He looks up at the sky. The light is sliding from the sky, catching on the clouds and turning them a brilliant orange. When he looks back at you, he almost looks…sad. “Think of our invitation as a party, hm? No strings attached.”

For some reason your tongue feels heavy. It takes two tries before you can say, “I need to fix this part of the fence before dark.”

“Want some help?” Mr. Bahr asks.

“I couldn’t ask—”

“You didn’t ask, I offered,” Mr. Bahr says. He rolls up his sleeves and nimbly plucks the hammer from your grip. “I may be a Knight, but I’ve done my fair share of carpentry. Let me show you a few tricks.”

You listen quietly as Mr. Bahr shows you how to twist the nails to avoid splitting the wood. What would have taken you an hour to finish, he accomplishes in a quarter of one, talking to you the entire time.

It’s…odd to have an adult’s attention on you for such a long time. He’s careful not to get too close, always offering you the hammer to practice by setting it on the grass between you rather than handing it to you directly. When you manage to replicate his technique on your second try, Mr. Bahr is more excited than you are.

“Wonderful,” he compliments. He glances up at the sky. The first stars are twinkling. “I’ll be going now and you should too. Have a good night, Isla.”

Unlike the first time he said your name, it feels pleasant now. You mutter a goodbye and leave before he does, scurrying towards the orphanage with your bucket of nails clutched to your chest.

He’s gone when you think to check the road for his carriage. Did he walk here? Ride a horse?

You close and lock the orphanage’s doors behind you.

—————-.

The picnic isn’t scheduled until the middle of summer and it’s spring now. Still, it’s all anyone can talk about.

“We have plenty of time to get ready,” Director Sarah tells them. “The Bahrs will be dropping in from time to time until then. I expect everyone to be on their best behavior when they’re here.”

Josiah raises his hand. “I hear they live in a castle!”

“A manor,” Sarah corrects. “Given to them by our Lord for their years of service.”

“The Guard in town says they worked for the King once!” Hera says, wiggling in her seat. “Is that true?”

“You can ask them yourself,” Sarah says. She claps her hands together and starts urging the kids up. “It’s time for chores. Your assignment is posted by the kitchen…”

You stay seated at the breakfast table. You haven’t eaten your third egg or your last slice of toast. Your stomach feels queasy. You keep thinking about Mr. Bahr saying wonderful when you worked on the fence together.

You aren’t supposed to want to be adopted. You’ve had your chance and you ruined it both times. It’s not fair of you to imagine what it would be like learning swordsmanship from Mr. Bahr and what it’d be like to hear him praise you when you got the next move right. One of the other kids deserve that chance.

You can only do what you can do.

—————.

Mrs. Bahr is alone the next visit.

No one recognizes her at first. She’s wearing a gown like a noble and her hair is gently flowing down her back rather than tightly pinned behind her head.

“I’ve received the Director’s permission to hold a lesson on writing,” she tells the children. She gestures to the bag she’s set on the table. “Come get a slate and a piece of chalk. We will work all together.”

The kids have never had slate and chalk before, not the real ones anyway. Sometimes you find a nice, flat rock they can draw on with charcoal, but it’s not as entertaining as what Mrs. Bahr brings. She watches everyone in amusement as they immediately start drawing instead of starting the lesson, flower and trees and swords.

“Look, Isla,” Hera says, tugging at your sleeve. You’re seated on the spare chair by the wall, away from the table. She twists from her spot to show you she’s drawn a shaky stick figure. “It’s you!”

Your eyes flick up to Mrs. Bahr. She’s not irritated by the distractions yet. You point with your bit of chalk at the drawing. “Which part of it is me?”

Hera points at a blob in the stick figure’s hand. “That’s the horned rabbit you brought home yesterday!”

You snort. The horned rabbit you’d killed yesterday wasn’t half the size of your body. “Are you sure that’s a horned rabbit? Looks like a turtle to me.”

Hera points to the stick figure’s face. “You can also tell it’s you ‘cause you’re frowning.”

“Hey!”

Mrs. Bahr claps her hands together. Instantly, she has the room’s attention. “I’m glad you all like my present. However, it’s time to get started.”

“Present?” Josiah asks.

“If you work hard today, you will be allowed to keep the slate and chalk as a present,” Mrs. Bahr says. She takes care to make eye contact with every kid. “Only those who work hard.”

It’s generous. You watch Mrs. Bahr from under your lashes as she talks everyone through writing the alphabet. It’s too generous not to be genuine. Try as you might, you can’t figure out any ulterior motive to spending so much on the kids. To look good? For who? For Director Sarah?

Director Sarah won’t be swayed by gifts like this even if the kids could be.

Mrs. Bahr stops well away from you, observing your slate from afar. “Very good, Isla. Do you know how to write?”

“No, ma’am.”

“Read?”

“Only a little.”

Mrs. Bahr hums. She doesn’t look disgusted by your stupidity or put off by your clipped tone. Your first family returned you when you told them. Mrs. Bahr’s lips curve. “Your letters are wonderfully steady. I can tell you will be a very good student.”

She turns before she can see you flush.

———.

Over the next few months, there isn’t a week that goes by without at least one of the Bahrs visiting. They become a regularity around the orphanage to the point that even Director Sarah stops worrying about the state of their rooms with every visit.

“Kids will be kids,” Mrs. Bahr says when you ask her to wait while you tidy the toys in the parlor. “It’s alright, Isla.”

Your head spins. Sometimes, when one of them says something particularly bizarre, you feel like you’re outside your body. There was a time when they didn’t have toys to leave out in the visiting area. Thanks to the Bahrs, every child has a doll, a slate, a new set of shoes, and an abacus. You are still waiting for the strings that come with these presents.

There haven’t been any yet.

The kids love the Bahrs. Hera insists on baking fresh strawberry tarts for them after a day of gathering. Josiah carefully sounds out passages from their new books to show them that he’s still practicing his letters. Annie and a group of the younger kids spend all day weaving a flower crown for Mrs. Bahr that you have to confiscate before they can put it on her head.

“Go wash your hands,” you scold. Despite your tone, your hands are gentle as you push Annie to the schoolhouse. “Don’t touch your eyes.”

Annie blinks rapidly, trying to hold back tears. “I didn’t know it was poison, lady, I swear.”

“Oh,” Mrs. Bahr says, hand fluttering over her heart. She steps towards Annie. “Dear one—”

You give full body flinch when Mrs. Bahr stoops to hug Annie, but you don’t get between them. The Bahrs have won your trust in this. They won’t hurt the kids.

You sigh to hide your flinch when Mrs. Bahr stands. “Now Mrs. Bahr needs to wash. Poison ivy is no joke.”

“It is not,” Mrs. Bahr agrees. She ruffles Annie’s hair. “Go on, do as Isla says. Wash up.”

“We can go together,” Annie says with her big, blue eyes. She reaches for Mrs. Bahr’s hand and then thinks better of it. She tucks her hands behind her back and kicks at the ground. “If you want.”

“I’ll be right behind you,” Mrs. Bahr says, smiling.

Annie nods and races to follow her friends.

“I’m sorry,” you say as soon as Annie is out of ear shot. You busy yourself picking up the fallen flower crown and the various trimmings of poison ivy they’d used for foliage throughout it. You feel flustered. “They really didn’t know any better—”

“I know,” Mrs. Bahr says so gently that you have to look up at her. She’s frowning at your hands. “I’m more concerned about you. Should you be holding onto it like that?’

“I’m immune,” you say. You’re not worried that she’ll guess your Destiny from that. Lots of Villagers are immune to poison ivy, particularly the ones in this region who rely on gathering and hunting. “Since I’m in the woods so much.”

“Knights are immune too,” Mrs. Bahr says. She follows you away from the orphanage and to the tree line. “You’re quite the hunter, aren’t you? I remember Hera saying you slayed a horned rabbit.”

Heat comes to your face. You stomp ahead of her to deposit the flower crown in some denser foliage where the kids won’t be able to get it. “I get lucky.”

“I’d consider it unlucky to run across a horned rabbit,” Mrs. Bahr says. She examines the forest with interest. “A demon is a demon. Even adults have difficulty with horned rabbits.”

It hadn’t been difficult. You’d been armed with a sharpened branch and, when the rabbit leapt for you, you knew right when to stab. You clear your throat. “It was difficult.” Then when Mrs. Bahr doesn’t say anything, you add, “It was frightening.”

She believes you. She lays a gentle hand on your shoulder to get you to look her in the face. “The orphanage budget is enough that you don’t need to hunt, Isla,” Mrs. Bahr says. “I know I don’t like the idea of a fourteen-year-old out here alone and unarmed.”

“Almost fifteen,” you say, “and I had a sharp stick.”

“A sharp sti—” Mrs. Bahr cuts herself off with a deep breath. “Regardless of your…aptitude, Isla, it’s dangerous. I’ve spoken to the Director and she agrees with me. You aren’t to go hunting anymore.”

The forest suddenly feels too hot. The leaves overhead rustle, but you can barely hear it over the roaring of your blood. “Excuse me?”

Mrs. Bahr steps closer. “You’re a very strong girl, Isla, but it’s dangerous. If you want to go out with me or Mr. Bahr—”

You shake off her hand. “The Director agreed with you? She said I’m not allowed to go hunting anymore?”

“Out of concern for your safety.” Mrs. Bahr looks like she regrets saying anything. “Once Mr. Bahr and I explained to her what a risk a horned rabbit poses—”

You run away. Mrs. Bahr calls out after you, but you don’t stop. Beyond the sting of Mr. and Mrs. Bahr not thinking you strong enough to hunt, there’s a deeper hurt. The Director agrees. Really? Really?

“Isla? What’s wrong? I thought you were with Mrs. Bahr,” Director Sarah says when you burst into her office. She sets the papers she’d been reading down and frowns. “You look—”

“I’m not supposed to go hunting anymore?” you ask.

Sarah’s face blooms in understanding. “After what Mr. and Mrs. Bahr said about the increase in demons in the area, I agreed—”

“It’s summer,” you interrupt. You stalk up to her desk, your fists balled at your side.
“It’s time to hunt.”

“The Bahrs have agreed to accompany you—”

“They only come once a week,” you say. You’re being so incredibly rude to the Director, but you don’t care. “I need to hunt three times that at least. The game has been moving deeper into the forest—”

“Where you are not allowed to go,” Director Sarah says, this time interrupting you. She steeples her hands in front of her. “I should have curtailed this activity long before this point, but I thought you needed it.”

“We need it,” you say. You can’t believe what you are hearing. “We need to store up rations, you know that.”

“Our budget allows us to purchase rations in town.”

“But what if that’s not enough? It’s better to have our own supply—”

“It will be enough.”

“It still doesn’t hurt to have some extra jerky—”

“The store we have will be enough.”

“But what if it’s not?!” You’ve raised your voice without realizing it, fists shaking at your sides. “The other kids are too young to remember o-or too new, but you and I do. That winter, we didn’t have enough. Why are you trying to stop me?” To your horror, your voice cracks. “I thought you understood.”

There’s silence in the room except for your panting breath.

“I’m sorry,” Sarah finally says. The sudden apology is enough to close your mouth against what you might have said. She meets your eyes. “You’ve always been so strong that I…Isla, you were a child. I will always be grateful for what you did that winter and for every winter since. I relied on you, a child, because I didn’t have any other option. We didn’t have another option. But now we do. We’re okay now, Isla. You don’t have to work so hard to protect us.”

“Yes, I do, I’m—” the Hero “—I can do it.” There is something inside of you telling you that that is what you must do. You think that it’s part of being a Hero.

((You’re worried that it’s because you’re scared.))

“My decision is final,” Sarah says. She picks up her documents and straightens them. “You are only to go hunting with an adult from now on. If I find out you went to the woods without one, there will be consequences.”

She’s using the same tone she uses on the other kids when they’re misbehaving. I mean business. You stare at her for a long, breathless moment. You jerkily turn to go.

Mrs. Bahr is hovering in the doorway. She looks guiltily between you and Director Sarah. “I’m sorry, I didn’t mean to eavesdrop…”

You shove past her and run to your room.

————-.

Somewhat counterintuitively, as an orphan you’re never alone. You throw yourself face down on your bed.

A shocked silence swallows the occupants on the other bed.

“Is she okay?” Josiah asks Hera.

“It’s Isla,” Hera answers. There’s the rustling of bedsheets as Hera climbs out of bed and then the soft sound of socks on hardwood as she comes over. “You okay?”

You are not okay. There’s an intense war of emotions in your chest. Anger that none of the adults seem to think you’re capable. Betrayal that Sarah isn’t on your side. A sick fear at the thought of being unprepared for winter. And, now that you’ve run away so spectacularly, shame. They probably think you’re overreacting, but they’re wrong. They’re the ones who are being naïve. They’re the ones who—

A gentle hand on the back of your head freezes the thought. Hera pets your short, black hairs in an attempt at comfort. “It’s okay, Isla. You can just sleep. Sleep makes everything better.”

That’s what you tell the younger kids. The difference between you and Hera saying it? When Hera falls asleep, you work to fix the problem. If you fall asleep, no one is going to fix the problem for you.

You flip over, dislodging Hera’s hand. You look up at her as if seeing her for the first time. She’s ten, two years older than you were when the winter happened. She was four then. You want to ask her if she remembers, but instead you ask, “Do you think Sarah hates me?”

“What?” Hera’s eyes are wide. “No! What makes you think that?”

“Nothing,” you say. “It’s stupid. Forget I asked.” You turn on your side, your back to them.

“I know she’s worried about you,” Josiah says. He offers the information tentatively. “I overheard her and the Bahrs talking. Did they ban you from the woods?”

You don’t move. “What else did they say?” You’re afraid that he’s going to say they called you weak. Or, worse, a nuisance. “Did they say anything else about me?”

“Not really.”

Nobody hears anything useful around here. You close your eyes. “I just want to be alone for a little while. I—”

There’s a knock on the door. “Isla? It’s me, Marie. Can I come in?”

Marie? Too late you remember that that’s Mrs. Bahr’s name. She’s been trying to get the kids to call her be her first name. So far no one’s taken her up on it and she hasn’t pushed.

Hera opens the door. “Hi, Mrs. Bahr. Isla is being moody.”

You sit up with a squawk. “I am not!”

“If it’s alright, I’d like to talk to Isla for a moment,” Mrs. Bahr says to Josiah and Hera. “Alone.”

“Don’t let her yell at you,” Hera says as she passes Mrs. Bahr. “She never means it.”

You are going to strangle her. “I don’t yell!”

“That’s not an inside voice,” Josiah says. He dodges the pillow you throw at him, pulling the door closed behind him and Hera.

You are suddenly alone in the room with Mrs. Bahr.

You sit up further, pressing your back against the headboard. Mrs. Bahr doesn’t look mad. Her hands are clasped in front of her and she’s looking down at the floor. It almost looks like she’s the nervous one. You hug your pillow to your chest. “You can sit down if you’d like.”

Mrs. Bahr looks up at you. Her lips twitch. “Thank you, Isla.” She sits down on Hera’s bed gingerly as if afraid it wouldn’t be able to take her wait. When she’s settled, she says, “I wanted to apologize to you.”

Your arms tighten around your pillow. “Why?”

“Not for saying you shouldn’t hunt alone,” Mrs. Bahr says. She’s not a mind reader but sometimes it seems like she is. “For not understanding what hunting means to you. I would have approached things differently if I’d known.”

“Known what?”

“About what you’ve been through.”

The winter. That’s the only thing Mrs. Bahr could be talking about. She must have heard more of your conversation (argument) with the Director than you thought. “It was a long time ago,” you say. You really don’t want to talk about this with Mrs. Bahr. Not when you can still feel that winter’s desperation in your molars like a memory. “I’m fine.”

Mrs. Bahr is quiet for a moment. She studies you much like Mr. Bahr did all those weeks ago mending the fence. “I was a knight for 30 years, you know. I supposed it’s not weird that a Knight worked as a knight for so long. As soon as I came into my power at 15, I was compelled to hold a sword. To seek out evils and defeat them. To follow my Lord into battle no matter the cause.” She looks up at the ceiling. “I’ve had a lot of adventures and helped many, many people. But there was a time when I wanted to quit.”

You start. “You did?”

“I wanted to work in a flower shop,” Mrs. Bahr says. She leans back on her hands. “What a life it could have been! Waking up before the sun and hiking to the flower fields…I had my new house all picked out. It’d have a koi pond and a row of red rocks from the Harrow River. That’s where I met Ivan.”

Mr. Bahr. He’s been trying to get you to call him by his first name too. Unlike Mrs. Bahr, he’s much pushier about it. “What made you want to quit?”

“Exhaustion,” Mrs. Bahr says. She closes her eyes. “It seemed that there was a new threat to my Lord every day. An assassination attempt from a branch family. A territorial dispute. A new influx of demon beasts. It got to the point that I hardly left my Lord’s side for fear of returning to find him dead. He was the first Lord I swore my loyalty to. I always felt like I was failing those days. So I wanted to quit.”

You’ve felt like that before. Sometimes it seems like you never catch enough while hunting, that you’re never kind enough, that you’re never strong enough. You’ve never thought about working in a flower shop though. “Why didn’t you?”

“I did.” Mrs. Bahr laughs at your shocked expression. “I was in my twenties. They tell you things calm down after your teen years, but that’s not true. I handed in my resignation and fled for the nearest town.” Her smile softens. “Ivan followed me.”

“He was there?”

Mrs. Bahr nods. “We were sworn to the same Lord. He came galloping up with my resignation clutched in his hand. His face was so red!” She laughs. “’What does this mean, Marie? He was crying! You can’t quit! I haven’t beaten you yet!’”

“And that’s what convinced you to stay a knight?” you ask. That doesn’t help you. You don’t have a significant other to come racing after you.

“No,” Mrs. Bahr said. “Ivan didn’t know why I wanted to quit. I can’t do it, I said. I can’t keep the Lord safe. I’m not enough. You know what he said?”

You shake your head.

“He said, Of course, you’re not enough,” Mrs. Bahr says. She’s lowering her voice in imitation of Ivan’s. “You were never going to be enough.” You’re gaping at his harsh words, but Mrs. Bahr looks amused. “That’s why we have a squadron. The job is too big for one person. All you need to do is your part.”

You stare at her, not understanding.

“The world isn’t carried by one person,” Mrs. Bahr says. “I was so convinced that everything was up to me – the Lord’s safety, the next campaign’s success, or defense from monsters – that I buckled under the pressure. What I didn’t see that it wasn’t all my responsibility. I was part of a team. All I had to do was one part.”

You think of the winter night and holding the door shut. There hadn’t been anyone to help you then. Someone needed to comfort the younger kids. Someone needed to try and protect them. “What if there isn’t anyone else?”

“Then we do our best,” Mrs. Bahr says immediately. She meets your eyes. “But are you by yourself now, Isla?”

Yes. You open your mouth to tell her that, but the word won’t come out. Are you? Director Sarah looked so defeated when you accused her of not understanding. But didn’t she understand better than anyone else. You swallow. “No. There’s Director Sarah.”

“What does she do?”

“She takes care of us,” you say. “She makes sure the money we get goes to the right things.”

Mrs. Bahr smiles warmly. “That’s right. Who else?”

“…Hera,” you say. You remember she pulled Josiah from the well before Annie even had the chance to tell you what had happened. “She watches the younger kids.”

“She’s very good with them,” Mrs. Bahr says. “Who else?”

Your mind blanks. Who else? “Josiah. He helps us study.”

“And?”

And? “T-the Lord. He makes sure we have the funds for what we need.”

“Including winter provisions,” Mrs. Bahr agrees.

You frown. You suddenly see where this is going. “The amount of winter provisions he thinks we need.”

Mrs. Bahr hums. “What happens if he’s wrong?”

“That’s why I hunt,” you say. Maybe now she’ll understand. “So that we’ll be okay if he’s wrong.”

“What if you don’t hunt enough?” Mrs. Bahr asks.

Your chest is tight. You rub at your sternum and try to breathe deeply. “We starve,” you say. You wheeze and then clear your throat. “We’d starve, but that’s not going to happen. Because I always hunt enough.” I have to.

“This year,” Mrs. Bahr says, voice gentle and soothing, “say you don’t hunt anymore. The winter is harsher than expected and the orphanage’s stores are depleted. What do you think will happen?”

You laugh and gasp at the same time. “They’d all starve,” you say again. What doesn’t she get about that? “First the little ones then—”

Mrs. Bahr is shaking her head. “No, Isla, that’s not what would happen.”

Your temper flares. “That’s what always—”

“What would happen,” Mrs. Bahr says in her even tone, “is that Mr. Bahr and I would come deliver extra provisions to you.”

All the air is chased from your lungs. You feel eight again, small and vulnerable and cold. You’re shivering as you stare at her. “You would?”

“We would.” Gently, as if afraid she might scare you, Mrs. Bahr moves from Hera’s bed to yours. She puts a warm hand on your knee. “We’re a fortress. The Lord gives us part of the emergency fund in order to keep our stores and grounds ready for refugees. Mr. Bahr keeps fifteen percent more than the most generous estimate out of an abundance of caution. We would come and make sure nobody starved.”

For some reason, that makes you want to cry. You blink against the sudden heat behind your eyes. “Oh.”

“That’s why we don’t want you to go hunting,” Mrs. Bahr says. Her thumb rubs over your knee. “It was worth the risk before. You worked hard to keep everyone here alive. You are incredible, for that, Isla. I can’t tell you how much I admire your strength and your bravery. But things are different now. You don’t need to do as much as you did before. There are other people on your squad.”

But I’m the Hero, you want to say. Heroes are supposed to save the day, aren’t they?

Knights help save the day too.

You let Mrs. Bahr pat your knee for a long time. She seems content to let you think, her energy a pleasant hum next to you. A knot is untying in your chest. If you don’t hunt, it’s not the end of everyone. There will still be the funds from the Lord. Sarah’s always been excellent at stretching those as far as they need to go. And, if they aren’t enough, there’s something different this year. The Bahrs are here.

“You’d help us even if you’re only going to adopt one of us?” you ask.

Mrs. Bahr’s lips thin. She looks sad, but hides it quickly. “We’re Knights,” she says. “Even if we are retired. We’ll be here the moment you need us.”

You don’t hope. Hope is traumatic. But…

You believe her.

———.

The next time you go hunting, the Bahrs go with you.

“It’s really fine,” you protest. It’s early enough in the morning that the air carries a bite. With any luck, they’ll think the redness in your cheeks comes from the chill rather than embarrassment. “I’m not even going far in. It’s Hera’s birthday coming up and she likes squirrel…”

“You’re going to catch a squirrel without a blade?” Mr. Bahr – Ivan – asks. He tightens the strap on Mrs. Bahr’s back, making sure the quiver of arrows is snug along her spine. He pats her shoulder when he finishes and beams at you. “Are you very fast?”

Yes, you are. You’ve noticed that you’re even faster lately as your 15th birthday marches closer and closer. You purse your lips. “I set traps.”

“Don’t mind him, Isla,” Mrs. Bahr -Marie -  says. She fondly shoves Ivan off the porch of the orphanage so she can get down. “He’s always joking.”

“What sort of traps?” Ivan asks. He runs a critical eye over your coat and pack. “Will that be warm enough?”

You’re not sure if your coat is warm enough for the weather or not. Another rising power: you’re nearly impervious to the cold. You shrug. “I’ll be fine. And just simple snares and stuff.”

“We can’t wait to see,” Ivan declares. He gestures towards the road. “Lead the way.”

You bite your lip. It’s clear that they knew you were going hunting today by their garb. Both are in sturdy, worn leather with swords on their hips and bows along their backs. They probably heard from Director Sarah and came specifically to make sure you kept your promise not to hunt alone. But… “The other kids will be sorry they missed you.”

“We’ll see them when we return victorious with birthday squirrels,” Ivan says.

“What a sentence,” Marie says dryly.

You aren’t going to convince them to let you go alone. You silently lead the way towards the orchard. Or, rather, as silently as you can. Ivan talks the whole time, asking questions about the apple trees and pointing to ducks flying overhead. You answer the questions you know the answer to and hum whenever you don’t. You wish you knew more about the vegetation, but the most you can tell Ivan is whether or not something is poisonous.

“Those ones,” you say, nodding to the low, circular leaves Mr. Bahr is pointing to, “are tricky. The real ones taste kind of sweet. The other kind that looks like that makes your stomach cramp for three days straight.”

“How can you tell the difference?” Ivan asks.

You shrug. “You can’t. I just tell the younger kids to bring it to me before eating it. Usually, I trade it for something actually edible.”

Marie, trailing behind you both, makes a noise of interest. “Usually?”

You feel your ears go hot. “Sometimes I’ll try it for them just to see if they can eat it. I’ve had enough of the bad one that it doesn’t affect me so much.”

“You try it?” Marie’s voice is sharp. “Isla, there has to be a better way.”

“Not really,” you say. You scratch the back of your head and quicken your step. You’re almost to the tree line of the woods. “The kids like sweet things. If I didn’t give in occasionally, they’d try it themselves. At least this way they check in with me first.”

“I still don’t think—”

“Sounds like Marie and I’ll be bringing some sweets along with us next time,” Ivan interrupts cheerfully. He points past the last apple tree about a dozen feet ahead. “Looks like the path ends there?”

“There’s an animal track about ten feet into the woods,” you say. You’re uncomfortable with Marie’s reaction. You know it’s not smart to eat poisonous plants, but what else were you supposed to do? Your worst fear is that the kids will one day get hungry enough to eat them without caring about the pain. Your shoulders round. “We’ll need to be quiet once we’re there.”

“I’m the best at being quiet,” Ivan says. He elbows Marie. “Right, Marie?”

“Right,” Marie says. Her voice is still a little strained, but you can tell she’s trying to hide it. “That’s why I married you.”

“That’s a lie,” Ivan says. He stage-whispers to you, “She married me for my amazingly dashing good looks.”

Marie huffs a laugh but doesn’t say anything else. You’ve entered the forest.

You were worried on the way that you’d need to tell Ivan that he needs to be quiet in the forest. You needn’t have been concerned. Both adults are silent and walk with quiet steps, their dark eyes alert on their surroundings. They move through the undergrowth gracefully, their years of experience showing in every step. You try to copy Marie’s soft footfalls as best you can and are pleased when your steps get a little quieter.

The Bahrs watch as you pick places for your traps. Ivan silently points to one of your knots, eyebrow raised. Guessing what he’s asking, you undo the knot and then redo it slowly. He nods in satisfaction and then gestures for you to give him the rope. Curiously, you do. Ivan completes the same knot, fingers steady through each step. When he’s done, he presents it to you proudly as if to say, See? I did it!

It makes you do something you very rarely do in the woods. You smile.

After setting the traps you take the Bahrs to your favorite resting spot. The clearing lies just by the edge of the shallow part of the river. About a mile downstream the banks widen and the North River joins this one, making it a dangerous place of rapids. Here, however, the water moves slowly and is shallow enough to be warmed by the sun.

Finally, you speak. “Shouldn’t be too long. Maybe an hour or two and then we can go check on them.”

“Is this where you found the horned rabbit?” Marie asks. You sit on a large, flat rock by the river, but she stays standing. Her eyes carefully scan the perimeter of the clearing.

“Not quite. That was near the hills.” You point. “Fifteen minutes that way.”

“That’s close,” Ivan says. He frowns, concerned. “Was that the first demon you’ve seen here?”

“No.” When the Bahrs turn to you in alarm, you shrug. “Not all the time, but demons come here. They’re usually not interested in me though.”

“But the horned rabbit was?” Marie asks.

Interested is an understatement. You’re not an idiot. You know that demons are dangerous. That’s why you usually avoid them when you spot them. Normally they’re content to let you pass by, but not the horned rabbit. It followed you nearly all the way back to the orchard before you realized you needed to do something before it attacked you. “Yeah.”

“What other types of demons do you see here?” Ivan asks. His voice is light, but he’s looking at you with a very serious expression. “Maybe howling bats?”

“I hear them sometimes,” you say, “but I don’t stick around after dark.” Ivan and Marie exchange dark looks. You fidget on the rock. “What?”

“This is protected land, Isla,” Marie says. She purses her lips. “No demons should be south of those hills.”

“What other types have you seen?” Ivan asks again. He comes to squat by you so he can look you in the eyes. “And when?”

“Just horned rabbits.”

“Are you sure?” Marie asks. She runs a hand over her hair, slicking back the fly aways. “Horned rabbits aren’t usually sighted alone.”

You hesitate. It’s true that the horned rabbits are the only demons you’ve seen, but… “There have been some signs lately, but I don’t know if they’re demons.”

Ivan’s eyes sharpen. “What?”

“Wolves,” you say. Both Bahrs stiffen, hands going to their swords. You speak quickly. “But I’ve never seen them! They might be regular wolves. I found the tracks at the base of the hill, and some bones, but they were a week old probably.”

“We’ll need to ask the Lord to investigate,” Marie tells Ivan. She looks deeply unhappy. “The patrol doesn’t cover this far south.”

“An oversight,” Ivan says grimly. He reaches out absently and ruffles your hair. It startles you, but it feels nice. Ivan makes an effort to smile at you. “Good eyes, Isla. Is there anything else you’ve noticed changing in the forest lately? Even something not demon related?”

Something funny is happening in your chest. Good eyes, Isla. You wrack your brain for anything else. “I haven’t seen any other tracks or anything and there’s only been four or five horned rabbits this season.”

Marie makes a small noise in her throat. When you turn to look at her, she hides whatever expression she’d been making. “That’s a lot. Did you need to use your sharp stick on all of them?”

Ivan startles. “Sharp stick?”

You rub the back of you neck. “Just two.” You look up at the sky. You only had a sharp stick that day, but there are times when you’ve come out here with a knife. Knife days are for when you’re looking for bigger game.  “I’ve been pretty lucky hunting lately, now that I think about it. There’s been more deer and regular rabbits south of the river.”

“What do you mean ‘lately?’”

“The past month.”

Ivan and Marie exchange another long look. Before you can ask them what’s wrong, Ivan turns to you with another smile.

“Say,” he says, “what do you think about trying to bag something bigger than a squirrel today? You ever fire a bow before?”

Your eyes widen. “No.”

“You can use mine,” Marie says, pulling it from her shoulder. She holds it out to you. “We’re nearly the same height. The draw may be a bit heavy for you—or not.”

Embarrassed by the shock in her voice, you release the string. “I’m, uh, stronger than I look.”

“Good,” Ivan says. “That’ll make it easier to actually catch something today.”

The next few hours are the most fun you’ve ever had in the woods. Marie and Ivan go over every part of the bow with you, explaining the weight of it, the flexibility, the length. Marie and Ivan carry several different types of arrows with different tips, all good for different types of shooting. They let you practice on a tree across the river and each time you’re closer to hitting the center of it, they compliment how fast you’re learning, how accurate your eye, how steady and consistent your draw.

By the time they let you hunt with it, you feel like you’re walking on clouds.

The feeling lasts even after you return to the orphanage, a deer slung over Marie’s shoulders and your hands full of squirrel. There’s a pleasant ache in your back and arms from practicing with the bow. You can’t stop smiling. Everything Ivan says is out of the blue and Marie’s tired responses make it all funny.

At one point you’re walking behind them, watching their shoulders brush when the path gets a little too narrow. They’re smiling at each other and talking softly and for a wild, wonderful, awful moment, you imagine that you can keep this. You aren’t sure what this is. Their attention and their companionship, their gentle guidance and the way they speak to you like you’re an adult?

After Hera’s birthday dinner, the Bahrs stay extra late to help clean up and to spend time with the younger kids. You are still feeling a sort of bone deep happiness you’ve never felt before. Everyone is full and sleepy-eyed from the amount of food you were able to put on the table. The kids gather around their slates in the common area, learning a new type of drawing game from Ivan and Marie.

Hera comes up to where you’re leaning on the doorway. Quietly, she slips her hand into yours. You squeeze it.

“Thanks for the squirrel,” she says quietly.

You lean down and press a kiss to the top of her head. “Happy Birthday.”

She hums and watches the fun in the living room for a long moment. She’s eleven now, three years older than you were that Winter. She’s the second oldest in the orphanage and, for the first time, you wonder if she feels the same sort of responsibility as you.

“I’m happy for you, you know,” Hera says.

You make a low questioning noise in your throat.

“The Bahrs will be good to you,” Hera says. She looks up at you evenly, a small smile tucked into the corner of her mouth. “You deserve that, Isla.”

Every muscle in your chest locks, chasing away the pleasant languidness you’d been feeling. “That’s not—they’re not—”

“Maybe, maybe not,” Hera says. She stands on tiptoe so she can throw her arms around your shoulders, hugging you like she did when she was five. She whispers in your ear, “But I would be happy if they did.”

She lets go of you before you can tell her she’s being ridiculous, skipping into the room to join the drawing game.

You feel out of sorts for the rest of the night.

——.

It’s not that you don’t want to be adopted. You just know that you’re not going to be. You’re the oldest in the orphanage, barely three years away from aging out. People don’t adopt kids your age, especially not obstinate, mean ones like you.

Besides, you’re a Hero. As soon as you master your power, you’ll be compelled to leave and fight evil anyway. That’s why it doesn’t matter if the Bahrs want you or not. You’re not somebody that’s supposed to have a family.

You barely remember the first time you were adopted. That was back when the Director of the orphanage was mean and biting. You have a vague memory of gold exchanging hands and leaving in the middle of the night. Your new parents barely looked at you and didn’t call you by your name at all.

You don’t remember a lot of that time. You were five and it was a struggle to go from living with a dozen kids to no one at all. Your new family gave you your own room in their small house and told you not to get underfoot.

The first time you ran away from their house, you didn’t get far. The baker in town brought you back to them and warned them about how kids your age are always slipping out when not paid enough attention.

“If you do it again,” the person who paid for you said, “you’re going straight back to the orphanage.”

And you do.

——–.

The day of the picnic, every kid wakes up early without being told.

You watch as Hera fusses over all the younger ones, straightening new shirts and brushing dust off knees. Josiah is reading one of the newest books Mrs. Bahr – Marie – brought, biting the skin on the side of his thumb. You snag Hera as she races to find Annie some ribbon for her hair.

“Hold up, let me brush your hair first,” you say.

Hera frantically pats the braids she slept in. “I forgot about my hair!” She turns large, watery eyes on you. “Islaaaa!”

You snort and help her unwind each braid. She decides to leave it down, charmed by the waves the braids left in her hair. Your hands don’t shake as you work even though your heart is racing. Today is the day of the picnic.

Today might be the day the Bahrs pick one of you to adopt. The younger kids don’t know that, the information carefully hidden from them, but Hera knows. Director Sarah knows. You know.

It’s been a long time since you felt this sort of anxiety. The second time you were adopted was just before the Winter and it wasn’t bad at first. The couple who adopted you ran an inn in town. It was exciting to have your own room and your new mother wanted you to call her Mom right away. Six-years-old and you were so excited just to be able to call someone your parent. This time you were going to listen. You weren’t going to run away or complain if their house felt too big and too lonely. This time you were going to get it right.

You didn’t think about what they wanted from you in exchange.

It wasn’t until the second week when they found out you weren’t really much use for anything that things started getting bad.

You breathe in through your nose and proclaim Hera’s hair finished. She thanks you and races off to find Annie, determined to put the ribbon she picked in the younger girl’s hair.

The Bahrs aren’t like the innkeepers. Whoever they adopt won’t be expected to know how to read or do math or how to take care of horses. If they are required to then Marie and Ivan will teach them first. Both have spent enough time at the orphanage for you to believe that. Isn’t it Marie who’s teaching all of you your letters? Wasn’t it Ivan who taught you how to better put up a fence?

Whoever they choose will be fine, you think. It’s both a relief and a sting. Whoever they choose will be fine. It’s just probably not going to be you. Not when Annie is so sweet and social and Hera is so strong and kind. Not when Josiah works so hard to soak up everything they have to teach him.

“Is everyone ready?” Director Sarah asks. She’s standing by the door. Her clothes are nicer than usual too, a dress made of a light blue fabric you’ve never seen before. Her hair is carefully combed back into an updo and fastened with a tie Hera made for her last winter. She runs a critical eye over all of you. “You all look very nice. Josiah, tie your shoes, please. Annie, leave the slate in your room, what you do if you lost it? Honestly…”

You let Director Sarah fuss over the kids, slipping out the door ahead of everyone. You don’t own a dress, but the button-down shirt is new and starched. Director Sarah helped you embroider bluebells on the collar and sleeves, and you think it turned out well.

You may not be getting adopted today, but you’re excited to see the Bahr family’s estate. The sun is warm overhead, the sky an endless blue. The summer is mild this year, perfect for a party. Isn’t that what Mr. Bahr – Ivan – told you to think of it as? A party. No strings attached.

A wagon comes up the lane. The Bahr family’s home is too far for the younger kids to walk to, past the town and closer to the Lord’s manor. They said they’d send a wagon for all of you, but something still clenches in your chest when you actually see it. Wagons are an expense the orphanage can’t justify, but, apparently, the Bahrs can.

The driver smiles kindly when he pulls up next to you. “Everyone ready to go?”

Before you can answer, the kids are pouring out the front door, chattering excitedly. You help Director Sarah lift the smaller ones into the seats near the front. The wagon is open topped, so Director Sarah can look over everyone sternly, twisting around in her spot next to the driver.

“No playing during the ride,” she instructs. “Mr. Dallen is very kindly driving us so you must listen to him, alright?”

Mr. Dallen also turns around. “I don’t have too many rules,” he says. He pretends to think, scratching his thick beard.  He grins “Don’t fall out!”

He’s joking, but that’s why you’re stationed at the back of the wagon. From your seat, you’ll be able to stop any roughhousing before “falling out” becomes a real danger. Already you’re eyeing the way Josiah is fidgeting. He’s incredibly calm when he’s reading, but otherwise he’s like a tornado. There’s a reason he’s the one that fell into the well in the first place. Hera sits primly next to him, her hands folded in her lap. You can tell she’s watching him from the corner of her eye. There’s a reason she’s the one who pulled Josiah out of the well.

Mr. Dallen directs the horses away from the orphanage, through the orchard, and along the road cutting through the fields. When you’re going to the forest to hunt, you take the narrower path that winds through the orchard and more directly into the tree line. The wagon is forced to stay on the wider road where the horses won’t sink into any mud and the wagon wheels won’t catch on rocks or dense foliage.

After the fields is the town. The kids wave to every Villager and Blacksmith they see. “Good day!” “Morning!” “We’re going to a picnic!” Hera pulls Annie back from the edge of the wagon before she tips over onto the street.

You slouch in your seat, wishing you were wearing a hat. While the first family who adopted you left town ages ago to live in the Capital, the innkeepers are still around. You don’t look as you pass their business and try not to listen to Josiah carefully sounding out the name of their inn.

When you open your eyes, Director Sarah is looking at you. You okay? She mouths. She wasn’t at the orphanage for your first adoption, but she was there for the innkeepers. You feign going to sleep. Just tired. She pretends to believe you and turns back to continue chatting with Mr. Dallen.

The kids are excited to go through the forest. Many of them are too young to even go into town with Director Sarah, a privilege you earn at ten years old, and they point to every bird, deer and mushroom they see amongst the trees. You let the sound of nature and the kids’ chatter lull you into a sort of meditation. The estate is only thirty minutes away now that you’re out of town.

You’re nearly dropping off to sleep when Director Sarah’s voice changes in pitch. Your sensitive hearing can pick up a thread of concern in her voice. What makes Director Sarah concerned, makes you concerned.

“—demons in the woods,” Sarah is saying very quietly. She glances out of her peripherals towards the back to make sure no kids are listening. If she notices how you’re only pretending to sleep, she doesn’t show any sign of it. “Shouldn’t we ask the kids to be quiet?”

“The Lord’s Knights have been patrolling,” Mr. Dallen says equally quietly. You can see him scan the trees for a moment before he smiles reassuringly at Director Sarah. “We’ll be okay so long as we stick to the road.”

“Alright.”

You keep a closer eye on the surrounding forest.

“There! There it is!”

Annie’s shout drags you attention from a (suspiciously) shadowed gully. The woods have thinned enough that hedges of the Bahrs’ estate can be seen. You’ve only been out this far once, a long, long time ago. You’ve never been past this point.

You’re just as surprised as the rest of the kids when the hedges give way to a castle.

That’s not a manor. You’ve never seen either, but you’re sure of this. Manors are supposed to look like the orphanage or any of the buildings in town, just larger. The Bahrs’ home has towers. The front doors are three times the height of a regular one and you can see that the handles and knockers are made of copper. The stone isn’t white like the castles in picture books, but it’s clean and neatly cut.

“Wow,” Hera breathes.

You agree.

Mr. Dallen directs the horses right up the main driveway, cheerfully explaining that the roses are the flower of the estate, aren’t they beautiful? Even Hera can only manage a faint noise of agreement, eyes wide on the house.

“The party’s around back,” Mr. Dallen says cheerfully. He clicks his tongue and the horses stop just short of the front doors. “I’ll take you there.”

Around back. You expect him to lead you around the side of the castle, past rows of rose bushes and the fountains that are tucked between the hedges. Instead, Mr. Dallen opens the front doors without knocking and directs everyone to follow him.

You’ve never seen anywhere so grand. The kids follow Mr. Dallen in hushed awe, gaping at the marble staircase that bisects the foyer. There are two chandeliers to either side of the grand staircase that each send a spray of rainbow light across the walls. Is the manor a little bare? The walls empty of portraits and artwork? You eye a pair of crossed axes hanging just beyond the shadow of the staircase.

“They’re ordering portraits from the Capital,” Mr. Dallen says, gesturing carelessly to the space where a portrait of the homeowners might hang. Then under his breath, “Unless they hang more swords there instead.”

“Excuse me?” Hera asks.

“Nothing,” Mr. Dallen says cheerfully. He guides them past the staircase and a row of doors to the back of the house. The large doors at the back of the house are already open. Mr. Dallen cups a hand over his mouth and calls, “Ho ho, look here! Look who’s arrived!”

“Surprise!” Ivan shouts, throwing his hands up in the air. He’s standing on the stone patio just outside the house, but he’s not the only one. Mrs. Bahr is next to him, her hands clasped in front of her, beaming. Behind her is a dozen other adults. “It’s a party!”

“Welcome,” Mrs. Bahr says warmly. She’s dressed elegantly in a long, red tunic that’s embroidered with the Lord’s crest. The Lord is here as well, his golden hair and eyes unmistakable even amongst the crowd. “Welcome to our home.”

You’re already at the back of the group, but you hang back further as the younger kids cautiously step out into the sun. Your eyes flick from face to face. You recognize a few of the people. There’s the Baker from town and her wife, there’s the Merchant that comes through every third week, there’s the Villager that donates zucchini—

And there are the innkeepers who, once upon a time, told you to call them your parents. They’re older than you remember, light hair gone silver in the sun, but it’s them. They’re right by the Lord, eagerly waiting near him for the opportunity to talk.

It’s very clear what this is. You watch the kids stream out onto the patio to greet Ivan and Marie. The other adults study the kids like zoo animals, eyes flicking to their clean party outfits to their happy faces. This isn’t a party for the kids. It’s a party for them. They’re showing off to each other. Look at how great they are! They’re helping out the poor orphan kids! You’re very familiar with these sort of events from back when the other Director was in charge. You just didn’t think you’d ever have to be near one again.

You take a step back and are stopped by Director Sarah.

“It’s okay, Isla,” Director Sarah murmurs. You didn’t even notice her falling back to your side. Her hand is gentle on your elbow. “It’s not what you think.”

Not what you think? You watch the Villager who runs the general store ask Josiah about the book he’s reading. The Bahrs are proudly introducing Annie and Hera to the Lord. There is something different about it, but you can’t quite put your finger on it. All you can see is the way the adults are watching the kids. You breathe in through your nose like Ivan taught you. In. Out. “What is it?”

“Fixing my mistake,” Director Sarah says.

That gets your attention. Your eyes dart from the happy scene in front of you to Sarah and back again. With the white umbrellas over the food tables, the streamers strung between garden trellises, and the kids dressed in their best, it looks like a painting. In contract, Sarah’s lips are pursed and the shadows of the house make her appear more tired than she is.

“There’s a parlor,” Mr. Dallen says. You jump when he speaks and he grimaces apologetically. He jerks a thumb over his shoulder. “If you need to talk.”

Marie is looking over the heads of the kids to where you’re standing, a frown on her face. She mouths your name, concern in her eyes. Your jaw clenches when the Merchant steps in front of her, hiding you from view.

“Yeah,” you say. “Let’s talk.” You spin on your heel.

Sarah follows you silently. You feel wrong-footed and caged by the entire situation. This was supposed to be a picnic, wasn’t it? No strings attached? Your dress shirt is tight around your neck and you flick open the top button.

“I should have told you,” Sarah says as soon as the door closes. There are two couches in the room adjacent to a large window that overlooks the party. Neither of you sits down. Sarah folds her hands in front of her skirts. “I apologize.”

“What are they doing here?” you ask. You gesture to the window. “The Lord, I understand. He’s the Lord. But the Baker? The Merchant?” You bark a laugh. “They’re not here to adopt anyone.”

“Maybe not,” Sarah says evenly, “but they’re good connections to have.”

“Connections?” You scoff. You remember watching the empty road through that winter nearly seven years ago. “What good are their connections?”

“Annie loves baking,” Sarah says. She doesn’t flinch in the face of your anger. She watches you calmly and doesn’t so much as shift her weight when you start to pace. “The Baker is a good connection for her to have, even if she doesn’t want to adopt. Many of the shopkeepers in town are open to taking on apprentices.”

You falter. You didn’t think about that. Your eyes drift towards the window. You can hear Hera laughing and Josiah complaining good naturedly. You’re nearly 15, just a few years away from aging out. You can’t say you’ve never thought about the future before. “They said they’d be willing to do that?”

“Who knows what the future holds?” Sarah sighs and goes to take a seat on the sofa. She makes a sound low in her throat when she sits. “That wagon ride was not good for my back.”

“I don’t trust them,” you say. You stop pacing to sit opposite her. From this point in the room, you can see the party on the patio. They can also see you. Ivan doesn’t turn away from the dessert table, but you can sense his attention on you. You swallow. “We don’t need anything from them.”

“I agree,” Sarah says.

You blink. “What?”

Sarah laughs. It’s not her usual laugh that she shows the kids, gentle and fond and warm. It’s cold and a little sharp. You’ve only heard it once before when the snow finally melted, chasing the snow spirits away, and the town came to see what had become of the orphanage.

“You and I are a lot alike,” Sarah says. Her eyes drift somewhere distant. “Like you, I remember that Winter. I remember waiting for any sort of response to our pleas. I remember hearing nothing back. The helplessness I felt as our stores dwindled…” Her voice cracks. She shakes herself, swallowing hard. “Well. I don’t need to tell you what their lack of aid cost us.”

It takes you two tries to speak. Director Sarah feels the same way as you. “So why?”

“Why did I agree to the party?”

“Yes.”

“Because I need to forgive, not forget, if I want to fix my mistake,” Sarah says. Her lips thin. “I’m not perfect. Since I’ve been Director of the orphanage, there hasn’t been a single new hire. There have been no volunteers or extracurricular programs for the kids. I’ve kept us hidden.”

“You’ve kept us protected,” you say. Things under Director Sarah have always been better than what they were before. The kids are happier and brighter, and the pantry is always full. No one disappears in the middle of the night or dies under her watch. “We know you have.”

“I’ve tried,” Sarah says. She opens her hands, palms facing the ceiling. “I rebuilt the orphanage to be independent. I thought that if we were completely self-sustaining, we’d be alright. But in doing so I’ve hurt the children. The orphanage is not supposed to be forever. They need connections with people, with the town, for when they grow up.”

“That—” You don’t know what you’re going to say. You fall silent, your anger fizzling out in your chest. She’s right. As much as you want everyone to stay together, you know that can’t happen. What Sarah is saying isn’t wrong, but… “Today is supposed to be for the kids. Not for them to feel better about themselves helping the orphans.”

“The kids are having fun,” Sarah says. There’s a peal of laughter from outside as if to underscore her words. She smiles as she stands. “Kids includes you too, you know. Let me worry about the adults.”

You stand too. You know the conversation is coming to a close and that, soon, you’ll be expected to go out there with Sarah. “Um…”

“Yes?”

You nearly don’t say it. But the way Sarah is waiting for you to speak is so patient that you muster up the courage. “The innkeepers are here. They aren’t…?”

Again, you’re not sure what you’re about to say. There’s a sick fear in your stomach that they’re here to tell the Bahrs all about how awful you were when you with them. Maybe they’re looking for another kid to demand too much of. Maybe they’re here because, in the end, you didn’t mean anything to them and what happened between you and them doesn’t make a difference–

Even if you don’t know what you’re going to say, Sarah must. Her smile darkens. “I’ll take care of the adults,” she repeats. She smooths her hand over your hair when you follow her to the door. “Why don’t you stay in here for a moment? I’ll just have a word with the innkeepers.”

You wait in the parlor while Sarah joins the party. You twist your hands together to keep from picking at the embroidery on your sleeves. You almost want to stop Sarah from talking to the innkeepers. It was so long ago, before the Winter, it shouldn’t matter anymore. You’re being ridiculous to be so worried about them when there are bigger things going on. You—

Hera throws open the door to the parlor. Her braids are a little frizzy already and there’s a flush high on her cheeks. “Isla! We’re playing team tag and you’re the only one fast enough to catch Marie. Come on!”

You don’t have the option to say no. Hera yanks you by the sleeve out onto the patio. The guests are much more dispersed now, pockets of adults around this table or that. They’re not studying the kids now. They’re just watching them as they run to and fro across the lawn, bemused smiles on their faces.

Ivan cheers when he sees you. Like Hera, his face is bright red. “Isla!” he pants. “You’re on my team!”

Marie sprints past, her skirts hiked up to her knee. She runs as if she’s in full armor, strides long and shoulders square. You wonder if she notices no one is chasing her anymore. “It won’t be enough!” she cries.

Josiah is laying on the grass. He chucks his fist in the air. “Go, Marie! Go!” He gasps for breath. “We’re unstoppable.”

“You’re out,” Annie tells him crossly. She’s also laying flat on her back, but seems to be faring better in the breathing department. “You’ve stopped.”

“Shut it—”

You scan the crowd. You don’t see the innkeepers anywhere, not even near where the Lord is sitting. You look over your shoulder back towards the house just in time to see Director Sarah disappearing around the corner. She’s talking to someone just ahead of her. Is she escorting the innkeepers out?

“Isla?” Hera slips her hand in yours. Her eyes are knowing. “You okay?”

You clear your throat, aware of all the eyes on you. You tuck  some hair that’s escaped her braid behind her ear. “Just trying to decide which team I should join.”

Ivan cries out in dismay. “Isla, please!”

Grinning, you join the game.

———.

“Didn’t think I’d see anyone able to catch Marie,” the Lord says, brows raised. His golden eyes track Isla across the garden and he whistles when she jumps to tag his former knight. “That was not within the capabilities of a Villager.”

Ivan scans the crowd around them. Most of the townsfolk are too far away to eavesdrop and the ones close enough to potentially hear are engaged in their own conversations. “Careful, Brennan. If the Director hears you speculate…”

“Yes, the Director,” Lord Brennan sighs. He brings his teacup to his lips, but doesn’t drink. He contemplates Director Sarah where she crouches with a glass of water near Annie. “You know this is the first time we’ve met?”

It’d been a fight to get Sarah to agree to today at all. Ivan chooses his words carefully. “Your predecessor did not have the sort of…kind interest you do.”

The former Lord’s interest Sarah shared with them was a lot more horrifying. There’s a reason that Isla at only fifteen years old is the eldest at the orphanage.

“That’s one way to put it,” Lord Brennan agrees. He settles back into his seat and sighs in satisfaction. He watches the children gradually grow tired of their game and drift towards the dessert table. He grins when the townsfolk naturally make room for them, a few of them even fetching treats from the center of the table for the littler ones. “See my people together? It was very good of me to lure you and Marie to my territory.”

“You gave us a castle,” Ivan says. They weren’t so much lured as bludgeoned with generosity. Some days it feels like they blinked and ended up standing amongst fine silk and filigree.

“It’s a manor as far as paperwork goes,” Lord Brennan says.

“It has buttresses.”

“A very fortified manor.” Lord Brennan finally sips his tea and sighs again. “This tea is from our fields, isn’t it?”

“Yes, my lord.”

“It’s delicious.” The full canopies of the trees enveloping the estate rustle in the wind. The sun shines warmly overhead. Lord Brennan takes another drink. Delicious. “The land’s come a long way since we ousted my father, hasn’t it? Plentiful harvests, an established trade route, a new school. If it weren’t for the demons, my work would be done.”

“I would prefer you had no work then,” Ivan says dryly.

“Me too.” Lord Brennan sets his tea aside and rubs his eyes. “Any updates?”

“None,” Ivan admits, frustration leaking through his words. His face is still amiable and the disconnect between his tone and his visage is jarring. “We investigated the wolf tracks in the woods and only found carnage. No signs of the demons themselves.”

“So they are demons?”

“Regular wolves wouldn’t be able to evade a squadron of your knights, my lord.”

“Neither would demon wolves,” Lord Brennan says. He rubs his chin, brow furrowing. “I don’t like what that implies. Any sign of larger foes?”

Ivan doesn’t want to discuss this here. Marie’s eyes are on him, sensing his rising distress. He smiles and waves to her. “Besides the horned rabbit migration?”

“Is it a migration?”

“Isla saw five within the first four weeks of summer,” Ivan says.

The Lord’s attention falls on the teenager. She’s patiently letting one of the other children – Hera? The one who’d curtsied to him like a little noble – weave flowers into her braid. He tries to imagine her fighting a horned rabbit and his lips thin. “I’ll call for reinforcements from the capital.”

“Marie and I can—”

Lord Brennan waves Ivan off. “No, no, I’ve asked too much of you already. Aren’t the two of you too busy in your retirement already? I thought you’d be settled with a child by now.”

“It’s not good to rush these things,” Ivan says as he has the last three times Lord Brennan has asked. This time it’s Ivan who sighs. “It took Marie and I a good few months to win Director Sarah over after our misstep.”

“Asking about Destinies, was it?”

“Implying we’d value any child less for not being a knight like us,” Ivan corrects.

“There seem to be a lot of unusual Destinies in the orphanage,” Lord Brennan says. He’s not an Identifier but he’s got a good eye. Though no one can know for sure until a child either develops their mark or comes into their power at fifteen, he’s seen more than a few signs of a Scholar, a Guardian, and a Teacher. Once again he finds his gaze being drawn back to Isla. She’s got a child under each arm and is running from Marie again, the game having resumed after their snack break. “That one is a Guard, at least. Nobody else would have physical abilities like that.”

Ivan ignores the Lord’s comment. “It’s been worthwhile getting to know them all.” His smile turns a little more genuine. “They’re all good kids.”

“Surely you and Marie have an inkling of who’ll be a good fit?” When Ivan doesn’t reply, the Lord clicks his tongue. “You can’t choose all of them.”

Ivan’s voice is a study in nonchalance. “Can’t we?”

Lord Brennan opens his mouth only for no words to come out. At length, he has to laugh. His knights do like to keep busy. “You’d need a castle.”

“You did give us one, my lord.”

“I suppose I did.”

The two men lapse into a pleasant silence. It is good to see the townsfolk this cheerful. This town is the furthest from Lord Brennan’s own castle and he rarely has a chance to visit. The first time he had had been very different. The people still bore the wounds of winter in gouged cheeks and brittle smiles. Now he sees the glow of health everywhere he looks.

He contemplates the Director once again. She’d been the only one back then to not seem pleased to see him ride in on his white horse. Even now he can feel the chill of her scrutiny as she stood defensively between him and the orphanage. None of that chill is present today. Her smile is as sweet as his tea while she tends to a scrape the little Scholar sustained in this round of tag. “Ms. Sarah is very pretty, isn’t she?”

“I know we can’t adopt them all,” Ivan blurts out. He doesn’t seem to have heard Lord Brennan. His gaze is turned towards his own inner conflict which is why he also doesn’t notice the blush dusting the Lord’s cheeks. “It wouldn’t be fair to them. Marie and I decided to adopt a child who would benefit from what little we can offer. Military arts and luck.”

“I don’t think you’re being fair,” Lord Brennan says with raised brows. “You and Marie offer a lot more than a Knight’s experience. Haven’t you shown that already in your actions?” He’s not aware of everything his former knights have done, but he’s heard plenty from the children today. He didn’t think Marie had the patience to teach anyone how to read.

Ivan’s hands fist. “It’s not enough, it’s not—the little boy. Josiah. He’s so smart. I don’t even know where to start with him and even Marie says that he’ll soon outpace her—”

“Well,” Lord Brennan says, “Neither of you are Teachers, true, but there is a school for that--”

“And Annie wants to know why bread rises and why the sun sets and how many seconds are in a day—”

“All kids are curious—”

“Hera staged a whole theater production for my birthday and all we could do was clap—”

Is he missing something? “Isn’t that what you’re supposed to do?”

“We don’t know any actors or directors to introduce her to!” Ivan cries out. He quickly lowers his voice, but can’t hide the stress around his eyes. “What could we give to a child like her? Like any of them?  Marie and I are out of our depth. It would be so much simpler if one was a Knight!”

The Lord tentatively offers, “If Isla’s a Guard--?”

Ivan gives a cry of distress that he barely capture in the palm of his hand. “Isla! That girl feels like my daughter already, but…she’s been through so much. She doesn’t need a father who teaches her how to fight or a mother who teaches her how to withstand a siege! She deserves to never have to fight again. What could we offer her? What could we possibly give to her she hasn’t already learned on her own?”

A light goes on in the Lord’s head. He takes in the festivities with new eyes. The town’s Baker, Blacksmith, Teacher… His friends have invited every possible parent they could in hopes of providing for the children in ways they felt incapable of doing themselves. As noble as that was…“Ivan, being a parent goes beyond the skills you can give a child. It’s more than fostering talent or an offering an apprenticeship. It’s—”

A horse’s scream drowns out the Lord’s next words.

Ivan is in front of Lord Brennan with his sword drawn before the horses and their blood-splattered riders even round the side of the castle.

-----.

 You throw Annie and Josiah behind you the moment you hear the sound of hooves galloping towards the manor.

“Isla, what—” Josiah starts to ask and then cuts himself off as the innkeepers and their entourage burst into the party.

You smell blood before your eyes register the terrible red staining their fine clothing.

“ORCS!” Mr. Innkeeper screams over the frightened snorts of his horse. He stumbles down from his mount and staggers towards the Lord. “They overtook our carriage—please, my wife, she’s hurt—”

Mrs. Inkeeper is holding her side and seemingly barely holding onto the saddle horn. “Our guards won’t be enough to hold them off—”

“Inside,” Sarah hisses into your ear. She points after Hera who’s already shepherding the younger kids into the building. “Now.”

“—an army—”

“—fast—”

“—waiting for us—”

You move faster than you’ve allowed yourself since you arrived. This is no time to take care in hiding your abilities; there are roars coming from the forest unlike anything you’ve ever heard before. Your senses seem to dial up with your heartrate and you can hear the clash of steel against rock and flesh. You scoop Annie into your arms and leap after Josiah and Sarah.

Mr. Dallen’s face is pale as he ushers you all into the manor. He holds the door open for the townsfolk. The hall fills with the sounds of panic and sobs as fear washes through you like a tidal wave. There have never been orcs south of the mountains, there have never been demons bigger than a horned rabbit in the last twenty years, even when the Winter froze the river—

Mr. Dallen waves down Marie as she sprints to the large doorway. You think that he’s going to pull her inside to safety, but instead he thrusts her bow into her outstretched hands.

“Do not open these doors,” she commands. Behind her the knights are assembling into a formation, their Lord at the center. Ivan stands before them all, barking orders to ready their spears as the trees in front of them begin to sway. Marie pulls a dagger from under her skirts and slices the bottom half of her dress clean off. She kicks it away from her feet as she talks. “Take everyone to the basement—”

“Ma’am, the escape tunnel still isn’t cleared of debris—”

Marie swears so violently that half the townsfolk gasp. She grabs Mr. Dallen by the shoulder, her eyes flicking back and forth between him and her husband. “Then we will draw them away. The moment you think you can, run to the wagon. Get the children to—” She bites her lip. You can see the devastating truth flash through her mind. There isn’t anywhere to go. “Damnit. Bar the door and arm everyone you can.”

Mr. Dallen’s lips are bloodless as he nods. “My lady.”

Marie turns to everyone. Her voice is unlike anything you’ve heard come from her lips; it’s harsh and barking. A commander giving orders much like Ivan is doing outside. “Listen, everyone. We are in danger. Our best estimate is that 25 orcs are marching on the manor. There is no guarantee of survival. The moment this door is breached, it will mean the knights have failed. You must be prepared to fight. Do you understand?”

Twenty-five? Your hands ball into fists and your breath catches in your throat. You’ve heard of entire villages being wiped out by three.

“Then we’ll fight with the knights,” the Baker says. He pushes away from the center of the group and marches to the wall. He pulls down the crossed axes, keeps one, tosses the other to the Blacksmith. She catches it easily. “You’ll need everyone who can hold a weapon.”

Marie never voices her protest. You can see the strain of holding it back in her tense shoulders and her poignant silence. At long last, she nods. “You’re right. Stay behind the knights. They know how to handle the frontline better than you.”

There’s a flurry after that. The townsfolk divide in half. Those unable to fight slide back as those who can start scavenging for weapons. Mr. Dallen grimly pulls two long daggers from under his coat while pointing your neighbors to decorative swords, to ornamental spears, to the heavy coatrack just inside the parlor.

Grimly, you stride past Sarah, ignoring her hiss and darting hands. You can leave the weapons to the villagers, there’s a large knife on the dessert table you can use—

Marie slams a hand against your chest. You stagger back at the weight of the blow, breath knocked from your lungs. You’re more stunned than hurt as you gape at her.

“Children stay here,” Marie says. Her eyes narrow. “No exceptions.”

“But I’m—”

“We don’t have time to argue!” She pushes you further back, clearing the doorway for the armed villagers to run outside towards the knights. “You’re strong Isla, but this isn’t your fight. Stay here. Guard the door.”

The winter wind howls in your mind. You splutter. “But I—”

Marie spins away from you. “Director Sarah.”

Sarah’s arms slide around your shoulders. “Yes, lady.”

 The closing of the door feels like a blow in itself. You stare sightlessly at the unyielding wood as your emotions rage. How could she? You’re strong, you can do more, you can help, you’re the one who kept everyone from starving—

“We need to barricade the windows,” Director Sarah is saying to the townsfolk. Half of them gaze at her uncomprehendingly. Her hands slide from your shoulders slowly, as if testing that you aren’t going to leap outside. When you don’t move, she lets go entirely. “Isla, move the furniture. Hera and Josiah, find something to tie it down with.”

You move on autopilot. There are other hands alongside yours as you push the sofa and armchairs in front of the windows, the townsfolk coming together to defend the manor. Hera darts between you all and pulls the curtains closed, reclaiming the curtain ties to use as rope. She’s got a grim determination in her eyes that looks uncomfortably familiar.

Your attention is on the noise outside. The orcs are slow, but loud. The roars change to squeals and bellows of challenge. Branches break and there’s a terrifying, splintering crash as a tree falls. Metal rings as the knights raise their shields. You can see it all in your mind’s eye, the knights in a defensive line across the length of the garden, the Lord securely in their center. Ivan is shouting about this being what they’ve trained for, that there are more of them than there are orcs, that this city won’t fall—

And the Lord is speaking too, quickly and quietly to Marie. The escape tunnel? Damnit, I should have sent more men—

It will be fine, Marie says. Her bow sings as she holds it ready and you know the way her muscles flex and her eyes narrow from experience. We won’t let a single one of those monsters past us. We won’t--

The knights bellow alongside the orcs. Your heart leaps and your focus is jarred. You’re standing in front of the door again, your hands balled at your sides. Everyone can hear the battle now and the townsfolk scream when the orcs’ battle cries shake the manor.

“Quiet!” Is that your voice? It is. Your eyes slide to the frightened faces behind you. “You’ll distract the knights.”

Sarah steps up alongside you. “And let the orcs know exactly where we are.”

The villagers quiet into aborted whimpers and muffled sobs.

The battle rages, louder and louder. Are orcs big? They sound big. When you close your eyes you can hear the way their feet pummel the earth. Do they have weapons? Metal clashes. A knight screams that their hides are too thick. The Lord shouts back to aim for their eyes. A table splinters, a bow sings, there’s a liquid gasp—

BOOM!

You slam your hands against the door, muscles straining as another blow lands against it. The wood convulses under your hands and the lock creaks. The villagers scream.

“No,” someone whispers. “No, they found us.”

You’re eight and the snow spirits are howling for blood. Your shoulders ache with the effort to hold the door against the wind. The cold is biting at your fingertips and there is an old hope dying in your chest--

Small hands slam against the door next to yours. Hera is snarling and swearing, Josiah is crying. Sarah is telling the kids not to worry, Isla and Hera and Josiah won’t let them in –

They’re here. You’re not alone.

“GET AWAY FROM THERE!”

The orc’s bellow isn’t nearly as loud as Ivan’s roar.

The blow you’re bracing for never comes. Ivan goads the orc to follow him, to leave the manor alone, to eat the man readily available to him—

It does not sound like the knights are winning now.

“My Lord!” Marie’s voice is strained.

“Do not fall back, they’ll corner us—”

“Who is that? Who is—”

The crack under the door lights with a sickly purple. The smell of ozone seeps into the manor. For a moment there is a silence so complete you think you’ve been struck. What was that? Magic? You’ve never seen magic before--

Screams rocket across the field. The Blacksmith’s screams. The Baker’s screams. Marie’s rage-filled howls.

“DEMON KING!”

Your Destiny burns.

——-.

You have dreams the closer you get to turning fifteen. Dreams of a kingdom in the sky, a kingdom heard in the roiling clouds and in the cracks of lightning that splinter through them. This kingdom howls and chatters and hungers.

You dream that you are under these clouds. Your necks aches from staring up into them. You’re alone in a field of dead wheat and the stalks whisper prophecies whenever the kingdom above falls silent. Rivers will run with blood, flesh will lay torn across the streets, no child can hide—

In these dreams, you aren’t afraid. There is an answering snarl in your chest for every howl and prophecy you hear.

You won’t have your way. You won’t win.

I’m the Hero.

When the storm sends down a funnel of demon bats (or horned rabbits or screaming goblins or demon wolves), you leap to meet them.

——.

This isn’t a dream.

Your hands slide down from the door. Hera and Josiah are frozen in place, eyes wide and unseeing as the demon king’s presence steals the oxygen from the room. You take a step back. Then another.

All doors and windows are blocked on this level. But this manor has more than one floor.

The fighting resumes outside before Sarah realizes what you’re doing.

“Isla!” She has the strength of a mother when she grabs you this time. Your nearly choke as your collar is pulled taught against your throat by her grip on your sleeve. “Where do you think you’re going?”

“To fight,” you wheeze before you can think better of it.

“Absolutely not.” Sarah attempts to pull you back, but you’re braced against her now. She grabs your sleeve with both hands. “The knights have it handled—”

“Not this—”

“—you’re to stay here.” Sarah’s lip trembles and she squares her jaw to hide it. The younger kids are holding onto her skirts, eyes wide as they stare up at you. “Understood?”

Afraid. She’s so afraid for you, so determined to keep you safe this time. You can see that winter seven years ago like you never have before; when you held the door and lost your hope in heroes, she never once looked away from your narrow back.

You have never been alone.

“Take care,” you say as gently as you can. Then, as she draws breath to speak, you rip yourself from her grasp. Your sleeve tears and Sarah’s eyes fall to your arm.

She gasps. “Isla—”

You shoulder your way through the villagers and thunder upstairs. The grand staircase leads to a hall of doors and you throw open the one at the end indiscriminately. You get the impression of books, leather furniture, a black feather quill, but it all blurs when your eyes fall on the door leading to the balcony.

That will do.

You burst out into unrelenting sunlight. Shouldn’t it be storming? In your dreams, it’s always storming. The garden is a mess of turned earth and splintered party tables. The knights’ armor flash rays of sun and the orcs – great, fleshy beasts with hardly any neck and black-sclera eyes – undulate like mountains below. You can see that some orcs are down, their giant bodies strewn across the ground, but it hardly seems to make a difference.

Not when there’s a Demon King.

You climb up onto the railing to get a better look. He’s half-hidden by the fighting, almost lounging against the treeline. He’s more human than you expected with dark, shaggy hair, and a bored look on his face. Canines the length of your index finger poke over his thin lower lip. Without the fangs, he’d be a traveling merchant, one of the ones who turned up their nose when they realized that the home they were visiting was an orphanage and not that of an affluent family.

As you watch, that sickly purple magic crackles at his fingertips. You follow his gaze to where Ivan and Marie are fighting back-to-back. The Lord is standing defiantly behind them, his horse slain mere yards away. The Lord is staring a challenge at the Demon King.

This is my land. You can see his mouth form the words, but can’t hear him over the clashing of swords and the twanging of Marie’s bow. Did he lose his voice? His exhaustion drags at his face, just visible under his fury. Green power seeps from him and into the ground as he emphasizes his Lord’s claim. You won’t have it.

The Demon King smirks. His hand twitches and purple magic soars into the sky. It arcs over the orcs’ heads, ten feet, fifteen feet, ten feet, five feet—

Ivan catches the bolt on his shield, a cry leaving his lips as the magic splashes around the edges and tears at his skin. You can smell burning flesh and ozone. Ivan falls to one knee and Marie snarls as she blocks an orc’s blow with the curve of her bow. She manages to kick the beast away, but her distraction costs her. This time Lord Brennan has to block the orc swinging a mace down upon their heads. His connection to the land wavers and the Demon King’s smirk widens into a smile.

Something in your chest cracks and you see gold.

Your destiny is like a flame on your shoulder. It drips down your arm and into your hand. Golden light is burning there and with a barely a thought, it takes the form of a spear. You hoist the spear over your shoulder and hurl it with your full strength at the ground between the orcs advancing on Marie, Ivan and Lord Brennan.

The ground shatters. The orcs are thrown back. Marie, already kneeling at Ivan’s side, jerks her gaze up to you. You see her mouth form your name.

The Demon King is as loud as he is in your dreams. “HERO!”

The word alone strikes fear in the orcs. Stupidly, a few look up at you and fail to block the next blows from the knights. One squeals and turns to the forest. You barely notice the knights chase after it.

“Isla?”

“Don’t—”

“Go back inside, his magic is too–!”

The Demon King hisses a spell. It’s fast, not the slow and contemptuous arc of power he’d thrown at the lord. Without thinking, you swipe your arm. It’s still drenched with the golden glow of your power and the air rings when the Demon King’s spell connects. You feel the blow vibrate through your bones. The magic crackles and your own power rises to meet it, filling your view with sun-bright light that washes over everything.

When the light clears, you’re still standing.

“Impossible,” the demon king says.

On instinct, you lift a hand above your head. Something presses against your palm and you grab it, drawing it down in front of you. A sword drenched in a golden haze follows. Hero’s sword. You point it at the demon king in a silent declaration. Your destiny is choking you, but your message is clear.

His lips curl in a snarl. “Attack!”

You leap down from the balcony as the demon king’s army surges. An orc charges you the moment you land, his eyes filled with the demon king’s command. He towers over you, but you’re strong enough to haul a half dozen fence posts on your own. You catch the club he swings at your head and launch him back in the same motion. He falls back a dozen steps and you follow him, slashing at his throat with your sword of light.

You’re on to the next monster before his body hits the ground.

You are new to your power, but you aren’t alone. Knights scream their second wind and fall on the monsters’ backs when their master’s command stupidly makes them turn away. A corner of your mind shrinks at the smell of blood and worse, at the sight of bodies under your feet, at the sound of armor crunching under heavy blows, but your power blocks it out. You move through the battlefield with an overwhelming, single-minded purpose.

Demon King.

“Don’t understand—”

Who is that? Your senses tell you it’s not an enemy. You duck when an orc swings a meaty fist at your head and then blink when someone severs its arm before you can.

“It’s okay, Isla,” someone says. “We’re here.”

“–she’s fourteen—”

“Argue about it later, protect her now.”

“Right.”

The Demon King isn’t relaxed when you see him next. His lips are pulled back so far you can see all his teeth. He’s commanding his monsters to stop you, to kill you, to put their bodies between you and him. One orc is bigger than the rest, a vibrant red instead of fleshy pink. It plants itself squarely in front of its master and raises a mace the length of your body.

Your power won’t let you falter, but your mind balks. Can you catch that? Block it? Those spikes are as long as your arm—

An arrow sprouts from the orc’s throat. It blinks stupidly and the purple haze clears from its eyes. Another arrow finds its mark in said eye and the beast steps back hesitantly as if unsure if its okay or not. The third arrow lets it know it’s not.

“Keep your sword tip up, Isla.”

“You’re training her now?”

“On your left, Marie!”

The Demon King must be cocky because he doesn’t try to run until it’s too late. The orc falls and his eyes widen in surprise to see you still coming for him. You’re close enough to see the color of them now, a red as deep and terrible as what’s drenching your hand.

Purple magic crackles. It’s not a spell – he’s too afraid for that – but the destructive power is unreal. The earth splinters to either side of you, causing your allies to falter for a moment. You deflect the bolt aimed for you and it explodes overhead like fireworks.

“No,” the Demon King breathes. He stumbles back and tries to ward you off with hands drenched in power. “No, I do not fall here! I am King! I am ultimate! I am—”

You throw your sword. You never really learned how to use one and this motion is more natural. For a moment, you see your Hero’s sword like your sharpened stick, sailing into the throat of a horned rabbit. Then you blink and it’s the Demon King with your sword through his meck. Blood bubbles at the corners of his mouth. One of his long-nailed hands comes up to try and grab the hilt. You’ve pierced him through.

The Demon King falls like his orcs. Confused and unsure of his own demise.

You come back to yourself the moment you feel his power die. There’s crashing through the woods as the remaining four orcs turn to flee. Absently, you mark their paths.

If the knights don’t get them, you will.

The details of the battle filter back to you gradually, like the sound returning to a forest after a rockslide. The memories of each blow you dealt tremble up your arms and the smell of one orc’s fetid breath makes you suck in a breath. That of course drags new horrible smells into your lungs and you cough so hard you gag.

A warm hand pats your back. “There, there,” Ivan says. He sounds tired. “The first one is always rough. Vomiting is okay.”

Marie grabs your hand before you can rub your face. “Don’t touch your eyes. Orc blood is corrosive.”

You twist, blinking tears out of your vision. You tremble as the memory of battle becomes fresher and fresher. You croak, “I’m an orphan, you know.”

Ivan looks taken aback. Then understanding washes over his face. “We’re acting like your parents, aren’t we? We were going to ask you after the party.”

The nausea temporarily subsides. “What?”

“She’s in shock,” Marie scolds Ivan. She fishes a clean handkerchief out of her bodice and uses it to dab under your eyes. “We want to adopt you, Isla. If you’ll have us as parents?”

You stare at them. “I—” you clear your throat. “I just meant we don’t actually know when my birthday is. Because I’m an orphan. I might be fifteen after all.’

“Oh.” Ivan opens his mouth. Closes it. “Well, do you be our daughter anyway?”

“More than anything,” you say and then vomit right onto the demon king’s corpse.

———.

Things are both complicated and not after that.

The questions you thought were coming never get asked. Sarah isn’t upset you hid your Destiny from her and neither are any of the kids. They’re just relieved you’re alive.

Hera buries her face in your stomach before dinner that night. The Bahrs have invited you all to stay over until the last of the orcs are caught. Hera smells like their bath oils when she says, “I held the door, Isla. Nobody got in.”

There’s a lump in your throat as you pet her damp hair. “You did. You were very brave.”

“I helped,” Josiah says. Unlike Hera, he eyes your arm from a distance. Your mark is covered in a fresh cotton shirt, but it’s like he can see it anyway. Finally he collapses into you. “It’s not fair. You’re our Hero. Now you’re going to have be everyone’s.”

You lean down to press a kiss into his hair. “I’m too mean to be everyone’s Hero. I’ll just be yours, okay?”

“Good,” Josiah says. Then, after a long moment. “Though you should be nicer to us now.”

“No,” you say fondly.

The complicated part comes when the Bahrs enter the dining room after Sarah has gotten you all seated.

Ivan’s arm is in a sling, but he smiles widely when he sees the spread Josiah, Annie and Sarah have cooked up. He compliments them on their efforts, thanks them, and takes a seat at the head of the table.

Marie pauses by you before she takes her seat. She lingers by your chair until you turn to look at her. “Isla.”

You swallow. “Marie.”

Is it just you or is Marie as nervous as you are?

“Would you…sit by me?” she asks. Her eyes flick to the seat just to the right of her side of the table. You may not be a noble, but you know what that seat means.

Your voice wavers. You’re suddenly very conscious of the kids looking at you, of the way Sarah’s pressed a hand to her mouth. In surprise? To hide her pleasure? “If—if I can?”

“Yes,” Marie says quickly. “Yes, if you don’t mind, I mean, if you’re able to be drawn away—”

Lord Brennan throws open the dining room doors with an astonishing crash. He isn’t dressed for company and his long sleeping robe is drenched with the water still dripping from his hair. “I am starving. Is there—” He catches sight of the table and his mouth drops open in surprise. “You were all about to have dinner? Without me?”

“You were in a coma, my lord,” Ivan says.

“I was taking a nap,” Lord Brennan corrects. His golden eyes catalogue the way Marie is standing over you, the three empty seats at the end of the table opposite Ivan. Rather than claiming the empty head of the table seat, he strides over to Ivan. “Up, up you get.”

“There’s another seat you can take!” Ivan complains. He guards his plate of food. “I just served myself.”

“Go sit with your wife and daughter,” Lord Brennan commands. He nearly sits on Ivan when the other man stands too slowly. He smiles charmingly at Sarah. “Director. Fancy seeing you here.”

Sarah flushes up to her ears.

“Daughter?” Hera asks.

Your stomach turns over. Oh god. It’s not fair that they asked you – you were too happy to think about it, but the other kids must be devastated—

But Hera doesn’t look sad. She’s staring at you for an answer, her eyes open and accepting.

“Y-yeah,” you say.

“Hell yeah,” Josiah says. “If the Bahrs adopt you that means I can read through their library right?”

Annie looks up at you. “And we can come visit?”

“Of course you all can,” Marie answers. Is her voice a little misty? “You all can stay here as long as you like.”

“Go sit with them,” Hera says. She smiles and pushes at you. “Go on.”

It’s the best meal you’ve ever had.